A real haircare brand, six pieces of it that nobody there ever asked for.
ProjectMoxie
Year2026
RoleNaming direction, packaging, campaign art direction, copy
TeamSolo, unsolicited
08Impact
Unsolicited: what a brand team would get from it
01Six posts a social manager can publish in any order without them reading as six different brands
02Yellow against a category running lilac and sage, so the bottle wins the first decision a shopper makes on a shelf
03One sticker shape and one lighting setup, so the seventh post costs a fraction of what the first one did
04A printed zine proving the system survives leaving the feed, which is the question a retail buyer asks first
Moxie never asked for this and never used it. What it demonstrates is production economy: a system where the next post keeps getting cheaper to make, which is the thing a brand actually buys when it buys an identity.
02Context
Moxie is a real Indian haircare brand. The six pieces here are entirely mine, made without being asked: packaging, a hero shot, a review post, an ingredient callout, an ad, and a printed zine.
The concept
Beauty with attitude, said with a hard period after the name instead of a soft flourish. A yellow loud enough to win the shelf, and one recurring sticker shape tying all six pieces together as one brand.
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sid.design Beauty with attitude, built to earn a spot in the cart. 🛒
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sid.design Beyond beauty, built to last. 🧴
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sid.design Voices that matter. Real reviews, no filter. 🧡
Nobody at Moxie asked for any of this. I ended up building six pieces of a haircare brand I don’t work for because I couldn’t stop inventing problems for it to solve.
05The system
Moxie
Wordmark
MOXIE, with a hard period. “Beauty with attitude” set in a soft script typeface would have been lying about what the product actually is.
Colour
Yellow, against the lilac-and-sage every haircare brand on the shelf defaults to. It’s there to win the “which bottle do I actually see first” test on a shelf drowning in pastels.
Graphic language
One sticker shape, reused across the ad, the ingredient graphic and the review post: the piece of connective tissue that makes six separate assets read as one set.
Photography
One lighting setup, one way of cropping a bottle, reused rather than reinvented every time. The hero shot is the only piece allowed to look like a real product photo instead of a designed one.
Extension
The whole system needed to survive leaving the screen. The postcard zine is the proof: the same three moves, printed and held in your hand.
06Decisions
What I chose, what it cost, what changed.
D01
Yellow, deliberately not the category default.
Why
Every haircare brand on the shelf runs lilac or sage. The shelf test gets won or lost before anyone even reads a label.
Gave up
Yellow doesn’t signal “haircare” at a glance the way the pastel palette does. Some category recognition gets traded away for it.
Result
A bottle that gets found first and identified second, in that order.
D02
A wordmark with a hard period. MOXIE.
Why
The full stop carries the attitude. A script typeface would have promised a gentleness this brand was never selling.
Gave up
The mark reads as blunt rather than friendly, and it wasn’t trying to be friendly in the first place.
Result
A name that reads like a statement instead of a label.
D03
One sticker shape, reused across every single piece.
Why
Six assets seen days apart in someone’s feed need at least one thing in common, or they just read as six unrelated posts.
Gave up
Every new post is slightly boxed in by a shape decided on the very first one.
Result
A fast scroll still registers all six as the same brand.
D04
Designed a whole studio, not six one-off assets.
Why
By the third piece, the interesting question stopped being “is this a good shot” and became “could the same person plausibly have made all of these in one afternoon.”
Gave up
Nothing here is particularly surprising. Surprise was more or less the thing I was designing out on purpose.
Result
Six pieces that hold together as a system rather than reading as a scattered portfolio.
07Out in the world
By the third piece I’d stopped designing individual assets and started designing a studio: one lighting setup, one sticker shape, one way of cropping a bottle, reused on purpose instead of reinvented for every post. That’s really what this project was testing. Not whether I could make one good shot, but whether I could make six that all look like the same person made them on the same afternoon, for a brand I don’t work for and was never asked to touch.
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sid.design Science meets beauty: every ingredient gets credited, not just claimed.
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sid.design Beauty that talks back, and keeps talking after the scroll. 💬
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sid.design Visual Storytelling, Vol. 1: the brand, printed and held. 📌