Festember Saga of Secrets noir marketing hero

Festember Website

The “Saga of Secrets” marketing site: a noir re-skin built for exactly one year.

Web Design

Festember Website sits in the event-marketing industry: the other half of the same festival as the ticketing app, but built to a completely different brief. Where the app is neutral infrastructure, the website is this year’s poster, re-skinned for the 2025 theme, “Saga of Secrets,” with a noir/silhouette aesthetic built to last one edition, not a decade. Its only job is making 18,000 students from 500 colleges want to show up.

My Role
Web designArt directionResponsive

Solo. Marketing website: hero, About, navigation, and the mobile-web treatment.

The thinking

The user’s problem

A fest website has one job: make someone want to show up. A generic “events happening” page doesn’t do that. It has to earn attention against everything else competing for a student’s September.

The business problem

The organizing team needed a site built around one unifying idea, this year’s theme, “Saga of Secrets,” executed consistently by a team of contributors, not a grab-bag of sections each person interpreted differently. Inconsistent execution across a large contributor team is the real risk on a project like this.

What I studied

I looked at how other large student-run fests build hype on their marketing sites, and pulled reference from the noir and mystery-toned shows and films I kept running into while researching the theme. The throughline in both: restraint, a small number of strong visual moves, a silhouette, a colour, a font, repeated consistently rather than a page trying to say everything at once.

The approach

I worked with the team to lock the shared visual language early, the noir/silhouette treatment, so every contributor built from the same reference instead of reconciling styles after the fact. My part was the hero, the About section, and holding the theme together through the navigation as people moved through the site.

What I’d call success
  • Time on site and scroll depth on the hero
  • Click-through from the marketing site into the ticketing app
  • Social shares of the hero visual
  • Visual consistency across every contributor’s section
Where it landed

The noir hero and About section that resulted are built for one year, not built to last. Next year’s theme gets its own visual language, and that’s a feature of the approach, not a gap in it.

Key decisions

  1. 01A noir, silhouette-led hero for “Saga of Secrets,” deliberately disposable art direction, since next year’s theme gets its own.
  2. 02The desktop hero was designed to fold down to a phone-width marketing page without losing the mood.
  3. 03The site and the app run intentionally different visual languages, one a one-year poster, the other a decade of infrastructure. Stating that on purpose beats pretending they match.
The mockups
Festember website cover
Saga of Secrets: the year’s marketing face.
Desktop

The full-size noir hero and the About section: the silhouette treatment given the real estate it was built for.

festember.com
Festember website hero: Saga of SecretsFestember website About section
01 / 02
Mobile

The same theme folded down to a phone, where most students actually open a fest site from.

Mobile website landing, top
01 / 03
Live festember.com Saga of Secrets homepage
festember.com, live
Redesigned Festember hero
My re-skin
The real live festember.com next to my hero, same theme, held to the same noir treatment.

One theme, one year, one noir silhouette: the website that had to feel like a secret worth showing up for.

The half that gets to chase a theme

Deciding which layer is allowed to be trendy (the site) and which has to stay quiet for ten years (the app) was the actual design decision here. The noir treatment is the fun part; the discipline was not letting it leak into the app.